With Palazzo Strata, the Madrid-based studio ŌWARAKAĪĪ explores how different eras can be brought together within a single interior. The concept is rooted in a monumental architectural setting where historical references and contemporary interventions meet. Massive stone structures, classical proportions and artisanal detailing form the basis of a striking space. The project examines how materials, light and design can work together to create an interior in which past and present coexist simultaneously.
Behind the project is ŌWARAKAĪĪ, the design studio of architect Alfonso Gimeno. The practice has earned international recognition for its distinctive approach to architecture and spatial design, in which atmosphere, the interplay of light and visual narratives take centre stage. Their work is often described as cinematic due to its attention to shadow, perspective and spatial composition. The studio frequently investigates the relationship between historic architecture and contemporary forms, combining classical references with a more restrained, modern visual language. This fascination with layering and the passage of time also forms the foundation of Palazzo Strata. 
Within the project unfolds an interior entirely built around the materiality of stone. Monumental columns, sculptural niches and an intricately crafted coffered ceiling define the architectural identity of the space. These elements reference historic palazzi and artisanal building traditions in which craftsmanship plays a visible role. At the same time, the architecture is complemented by contemporary materials and finishes. In particular, the introduction of stainless steel within more classical architectural elements creates an intriguing tension between different design languages.
Monumental columns, sculptural niches and an intricately crafted coffered ceiling define the architectural identity of the space
Amid this expressive architecture, carefully selected furniture pieces with a minimalist aesthetic make their appearance. Their restrained forms allow the space to breathe and draw attention to the interplay between light and material. Symmetry plays an important role throughout. Daylight glides across the stone surfaces, accentuating reliefs and creating constantly shifting shadows. As a result, the interior acquires an almost scenographic quality, with each space appearing as a carefully composed image. Influences from modernism and designs of the 1970s are subtly woven into the historical context without overpowering the existing architecture. 
Ultimately, Palazzo Strata is about the accumulation of time within a living environment. Historic structures and contemporary interventions coexist and reinforce one another’s presence. The project demonstrates how architecture does not need to choose between preservation and renewal, but can instead use both approaches to create new spatial experiences. In doing so, Palazzo Strata aligns seamlessly with the broader vision of ŌWARAKAĪĪ, in which architecture is approached as a medium that connects memories, materials and atmospheres into a richly layered whole.
Visuals by Alfonso Gimeno (ŌWARAKAĪĪ)
Text by Carolien Depamelaere